Welcome to RantCrush Top 5, where we take you through today’s top five controversial stories in the world of law and policy. Who’s ranting and raving right now? Check it out below:

100+ Arrested and Three Killed in Chechen Crackdown on Gay Men

Over the past week, more than a hundred gay men went missing in Chechnya, the semi-autonomous Russian republic located in the southernmost part of Eastern Europe. The republic is predominantly Muslim and extremely conservative. On Saturday, a Russian opposition newspaper reported that the men had been arrested by Chechen police and confirmed that at least three had been killed.

After 100+ gays seized in Chechnya, human rights official says homosexuality=”evil every Chechen will fight against” https://t.co/dT6zu1NeGv

— Alec Luhn (@ASLuhn) April 1, 2017

Allegedly, the crackdown started after a gay rights group in Moscow applied to hold Pride parades in areas close to Chechnya. But the leader of the republic, Ramzan Kadyrov, said through a spokesman that the reports are false and impossible. In fact, he seemingly flat-out denied that gay people exist in the area. “You cannot arrest or repress people who just don’t exist in the republic,” spokesman Alvi Karimov said. He added, “If such people existed in Chechnya, law enforcement would not have to worry about them, as their own relatives would have sent them to where they could never return.” These horrendous comments caused international outrage and gay men have started fleeing the republic.

LGBT activist handcuffs himself to Petersburg’s Akhmat Kadyrov bridge to protest news that 100+ gays detained in Chechnya, at least 3 dead https://t.co/V49WGZos45

— Alec Luhn (@ASLuhn) April 2, 2017

Emma Von Zeipel

Emma Von Zeipel is a staff writer at Law Street Media. She is originally from one of the islands of Stockholm, Sweden. After working for Democratic Voice of Burma in Thailand, she ended up in New York City. She has a BA in journalism from Stockholm University and is passionate about human rights, good books, horses, and European chocolate. Contact Emma at EVonZeipel@LawStreetMedia.com.

The post RantCrush Top 5: April 3, 2017 appeared first on Law Street.

If you missed Saturday’s third Democratic debate, there’s a chance you still managed to see frontrunner Hillary Clinton—or two Hillarys, rather–in action if you tuned into NBC.

Saturday Night Live veterans Tina Fey and Amy Poehler returned to their former comedic stomping ground as hosts to promote their new comedy “Sisters.” While they were there, both actresses reprised their infamous Sarah Palin and Hillary Clinton impersonations in an unexpected skit that was easily the most talked about moment of the show.

The hilarious holiday sketch began with Kate McKinnon’s impersonation of Hillary falling asleep only to be awoken in a scrooge-like trance by Hillary Clinton circa 2008–aka Poehler. After catching past Hillary up on current affairs, including Benghazi and her dreaded emails, present Hillary proclaims she’s got this presidency in the bag. But only after explaining that her biggest competitors are “human Birkenstock” Bernie Sanders and Donald Trump, does skeptical past Hillary believe her.

And then to make things even better, the Hillarys are joined by Fey playing a past Palin who thinks she’s stumbled into the bedroom of a lesbian couple. Priceless.

Watch the Skit Below

However, the real Sarah Palin couldn’t let Fey have all the fun at her expense. The former Alaskan Governor teamed up with conservative website Independent Journal Review to finally get back at Fey with a spoof of her own.

In the clip, Palin makes a fake “31 Rock” trailer posing as a pseudo Liz Lemon named “Lynn Melon,” who hates political correctness, spouts false Star Wars facts, and isn’t actually funny. There’s also some head scratching cameos from her former running mate John McCain and recent campaign dropout Lindsay Graham.

Watch Palin’s Spoof Below

While it’s clear Fey and Poehler’s bit was far superior, Palin’s attempt was still likable and noteworthy. She sure isn’t going to win any acting awards, but fake trailer shows she’s not afraid to get a few laughs at her own expense.

Let’s hope the political spoofs to come are all this good!

Alexis Evans

Alexis Evans is an Assistant Editor at Law Street and a Buckeye State native. She has a Bachelor’s Degree in Journalism and a minor in Business from Ohio University. Contact Alexis at aevans@LawStreetMedia.com.

The post Tina Fey, Amy Poehler Reprise SNL Spoofs, Palin Finally Gets Revenge appeared first on Law Street.

Awards shows usually operate as a superficial yet entertaining public relations platform. Events range from the fashionably clad stars’ “who are you wearing” banter on the red carpet, to the 30-second movie clips dispersed throughout the show highlighting what movies you “should be watching.” Last night’s 72^nd Annual Golden Globes Awards, however, shocked us by getting pretty political.

With all that’s been happening in the news recently involving attacks on media, from the Charlie Hebdo shooting to the Sony Pictures hack, Hollywood had a lot to say in defense of the First Amendment. The tone of the show was set in motion by a 10-minute opening monologue from the always-hilarious comedy duo Tina Fey and Amy Poehler, who hosted the Globes for their third consecutive and final year. Fey started off:

Tonight we celebrate all the great television shows that we know and love, as well as all the movies that North Korea was ok with.

The Golden Globes, judged by the Hollywood Foreign Press Association (HFPA), didn’t just use the monologue to mock North Korea. Actress and comedian Margaret Cho, dressed as a pale-faced North Korean general and new HFPA member, posed for an awkward selfie with Meryl Streep and joined Fey and Poehler on stage.

Cho, a Korean-American, is no stranger to controversial roles. She dressed as former North Korean leader Kim Jong-Il on NBC’s “30 Rock,” for which she was nominated for a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series. I guess critics didn’t find the same pale-faced broken-English impersonation as funny this time, taking to Twitter to call it racist. A debate quickly ensued, with some finding it highly offensive, while others defended it as comedic satire. Was her acting offensive? It was definitely stereotypical and dragged on for far too long, but personally I didn’t find it any more offensive than those parodies shown in “The Interview,” which has reportedly been downloaded or rented more than 4.3 million times online since its Christmas debut.

why is Margaret Cho doing this weird…uncomfortable…racist caricature thing; can this not be a thing

— Lindsay Crockett (@lindsaymcroc) January 12, 2015

Chill on Cho, twitterverse. Her NK satire was brilliant. Not racist. Jennifer Lopez tried to steal @goldenglobes But @margaretcho did.

— Emil Guillermo (@emilamok) January 12, 2015

Nothing was off limits for Fey and Poehler, including rape jokes when they transitioned into Pudding Pop-like impersonations of accused sitcom star Bill Cosby. “I put the pills in the people,” impersonated Fey, “The people did not want the pills in them!”

The Bill Cosby jokes didn’t stop there. When talking about new movie musical “Into the Woods” Poehler joked:

Cinderella ran away from her prince, Rapunzel was thrown from a tower . . . and Sleeping Beauty just thought she was getting coffee with Bill Cosby.

Too soon? After I’d picked my chin up off the floor, I registered just how ballsy the night was getting in terms of comedy risks.

On a more serious note, HFPA President Theo Kingman gave an inspiring mid-show speech reminding the crowd of the Charlie Hebdo terrorist attack in Paris. His words were met with a standing ovation from the entire crowd. His speech included:

As international journalists we also understand the importance of freedom of expression, as not only an integral part of the American fabric, but a beacon that is reflected across the globe. Together, we will stand united against anyone who would repress free speech, anywhere from North Korea to Paris.

Rapper Common also shared some uplifting words in his acceptance speech for best original song in a motion picture for his and John Legend’s work in the civil rights drama “Selma.” His words were met with tears from the film’s producer Oprah. Common stated:

As I got to know the people of the civil rights movement, I realized, I am the hopeful black woman who was denied her right to vote. I am the caring white supporter killed on the front lines of freedom. I am the unarmed black kid who maybe needed a hand but instead was given a bullet. I am the two fallen police officers murdered in the line of duty.

Overall, the playful parodies of some current hot button issues upstaged big winners like “Boyhood” and “The Grand Budapest Hotel,” livening up the relatively boring telecast. The comedy teetered the line of what is offensive, without truly crossing it, and showed that Hollywood still has a sense of humor after an embarrassing and arduous few months.

Alexis Evans

Alexis Evans is an Assistant Editor at Law Street and a Buckeye State native. She has a Bachelor’s Degree in Journalism and a minor in Business from Ohio University. Contact Alexis at aevans@LawStreetMedia.com.

The post Comedy Gets Political at This Year’s Golden Globes appeared first on Law Street.

Movies are supposed to be an escape–a medium of entertainment where the viewer can suspend their own reality and delve into another. However, recently complaints have arisen that movie executives have stretched audiences’ imaginations too far. Instead of problems with the content however, these critics take issue with the actors who are delivering the performances. The silver screen continues to be inundated with white, heterosexual, male actors despite the diverse population of the United States and the world. Read on for an analysis of the racist, sexist, and discriminatory tendencies of the modern entertainment industry.

Race

When 44 percent of movie tickets are purchased by non-white customers, it would be plausible to think the ethnicity of actors on screen would reflect the diversity of the viewers. That is simply not the case.

American movies have a history of being dominated by caucasian actors and actresses. As a study by University of Southern California discovered:

• Out of the 565 directors of the 500 top-grossing movies from 2007 to 2012, 33 of them were black–and only two were black women.
• In 2012, the speaking characters of the top 100 grossing films were 76.3 percent white, 10.8 percent black, 4.2 percent Hispanic, 5 percent Asian, and 2.6 percent other ethnicities or mixed race.
• Hispanic actors and actresses are the most underrepresented group on screen.
• From 2007-2012 the ratio of non-black directors to black directors was 16:1.

Halle Berry became the first African-American to win an Academy Award for Best Actress in 2002. During her acceptance speech she reflected on her achievement and what it will mean for other minority women. She opined, “this moment is so much bigger than men…it’s for ever nameless, faceless woman of color that now has a chance because this door tonight has been opened.”

However since this momentous achievement, every other recipient of the award has been white.

Unfortunately, that is not the only acting category lacking diversity. In 2001, Marcia Gay Harden and Benicio del Toro won Best Supporting Actress and Best Supporting Actor respectively, and there has not been a Latino, Asian, or Native American winner in any acting category since.

Juliet Lapidos of The New York Times pointedly stated,

“Hollywood’s great at congratulating itself for diversity; it’s just not great at actual diversity.”

Whitewashing

Although blackface is no longer deemed as acceptable, the entertainment industry continues to inaccurately depict minorities in films. In part this is done by whitewashing–casting white actors as characters in roles that were written for minorities.

There’s a very long history of white-washing in Hollywood–West Side Story, winner of 10 Academy Awards and one of the most beloved musicals of all time, is a famous example. Natalie Wood (who is of Russian decent) played the leading female character Maria, who is supposed to be Puerto Rican. Disney has also received some criticism for similar portrayals–Aladdin is a good example. The voice of the film’s protagonist is provided by Scott Weinger who, unlike the title character, is not of Arab decent.

More recently, Jake Gyllenhaal as Dastan in Prince of Persia, Ben Affleck as Tony Menendez in Argo, Rooney Mara as Tiger Lily in a new Peter Pan project, and rumors of Angelina Jolie being cast Cleopatra are all examples of roles being white-washed.

In addition to being offensive, white-washing diminishes roles–leading to non-Caucasian performers being cast as minor characters that serve to supplement a white lead.

Gender

Women make up slightly more than 50 percent of the population in the United States, yet they continue to be sidelined by the entertainment industry.

Some findings surrounding the inequalities are:

• Women in the top 100 films of 2012 only made up 28.4 percent of roles with speaking parts.
• In 2013, 30.2 percent of women were dressed in sexualized clothing compared to 9.7 percent of men.
• A recent study of films from the past six years showed that 29.5 percent women and 11.7 percent men were shown partially or fully nude.
• In 2013, 16 percent of films had a balanced cast; an increase from 2010 when it was just 4 percent.

The amount of women represented behind the camera faired even worse in 2013:

• Only 1.9 percent of directors were female
• Just 7.4 percent were women
• Women made up 19.6 percent of producers

While accepting her award for Best Actress during the 2014 Oscars, Cate Blanchett remarked:

For those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche, they are not! Audiences want to see them and in fact they earn money. The world is round, people!

Actress Olivia Wilde is known for being a feminist and has spoken out multiple times about the quality of roles available to actresses in Hollywood. In the video below, she further explains the differences between roles normally crafted for male and female roles.

Bechdel Test

In 1985, Alison Bechdel created the cartoon Dykes to Watch Out For. From the comic strip the Bechdel test was created, which is a list of standards that determines gender bias in entertainment. Many feminists use it to analyze various forms of media.

The basic principal of the Bechdel Test it that the women depicted in Hollywood should not be clichés, but character who express genuine feelings about diverse areas of their lives.

The rules for the Bechdel Test are that the film:

1. Has at least two women
2. Who talk to each other
3. About something besides a man

Magazine editor Nikki Baughan offered insight as to the importance of the test:

The Bechdel test acts as a magnifying glass; by breaking down a film in these simple terms, it draws attention to the shocking gender disparity that exists in the majority of cinematic narratives.

LGBT

The lesbian, gay, bisexual, and transgender community is incredibly underrepresented–and oftentimes misrepresented–in Hollywood. When an LGBT actor or character is written into a movie, they often serve as a token member of the ensemble. Their purpose is to represent the stereotypical trait habitually accompanied with their identity in the media.  

Depiction of race in LGBT characters does not differentiate greatly from heterosexual characters. In a study conducted by GLAAD, it was found that the races of LGBT characters were 76 percent white, 12 percent black, 8 percent Asian, and 4 percent Latino.

Derived from the Bechdel Test, GLAAD created the Vito Russo Test to examine the presence of LGBT characters in movies.

In order for the film to pass the Vito Russo Test, these qualifications must be met:

• The film contains a character that is identifiably lesbian, gay, bisexual, and/or transgender.
• That character must not be solely or predominantly defined by their sexual orientation or gender identity.
• The LGBT character must be tied into the plot in such a way that their removal would have a significant effect.

Out of the films GLAAD assessed using the Vito Russo Test, less than half passed.

Rayon

Although hailed by mainstream critics, the recent movie Dallas Buyers Club received a combination of praise and condemnation from the LGBT community. The focus of criticism fell upon Jared Leto for his Oscar-winning portrayal of Rayon, a transgender woman.

Steve Friess of Time accused Leto of pandering to the transgender stereotype, stating, “she’s a sad-sack, clothes-obsessed, constantly flirting transgender drug addict prostitute…There are no stereotypes about transgender women that Leto’s concoction does not tap.”

Advocates were also dismayed that an actual transgender actor was not cast in the role. Since Rayon is a fictional character, the casting directors had a wide breath of opportunity and freedom in choosing an actor for the role, yet they chose not to include a transgender actor.

However, Mara Keisling, executive director at the National Center for Transgender Equality, had a contrasting view, saying, “to the film’s credit, I think it accurately showed what the life of this brave person [Rayon] must have been and how she was treated.”

In his Oscar acceptance speech, Leto took a moment to recognize the LGBT community, stating, “to those of you out there who have ever felt injustice because of who you are, or who you love, tonight I stand here in front of the world with you and for you.” Despite his accepting comments, reception to the portrayal remains mixed.

Oscars 2014

The 2014 Academy Awards appeared to be a step in the right direction. The year before, Cheryl Boone Isaacs became the first African American and third woman to ever be elected president of the Academy of Motion Picture Arts and Sciences. Not only did the Academy itself get a shake up, but the recipients of the awards did as well.

The movie “12 Years a Slave” won Best Picture, one of the most coveted awards. This was a significant victory, because before this film, a movie featuring a black leading man had not won Best Picture since 1967. Steve McQueen–the director, and co-producer–is the first director of African descent to have a movie win in the Best Picture category. The 2014 Best Director award went to Alfonso Cuaron, the first Mexican director to win the category.

Conclusion

In an industry that has such a drastic impact on our culture, it is disheartening to see Hollywood fail in diversity both in front of and behind the camera. Hopefully, future films will be created that cast individuals who accurately represent the audience viewing the films.

Resources

Primary

University of Southern California: Race/Ethnicity in 500 Popular Films: Is the Key to Diversifying Cinematic Content Held in the Hand of the Black Director? 

University of Southern California: Gender Inequality in Popular Films: Examining On Screen Portrayals and Behind-the-Scenes Employment Patterns in Motion Pictures Released between 2007-2013

Additional 

New Yorker: Lessons From Late Night

Mic: 6 Disney Films That Are Undeniably Racist and Sexist

The World Bank: Population, Female (% of Total)

Metro: The Bechdel Test and Why Hollywood is a Man’s, Man’s, Man’s World

GLAAD: 2014 Studio Responsibility Index

GLAAD: The Vito Russo Test

KPCC: Oscars 2014: 8 Ways They Made Diversity History

TIME: Don’t Applaud Jared Leto’s Transgender ‘Mammy’

IndieWire: 10 Trans Actors Who Could Have Played Jared Leto’s Role in ‘Dallas Buyers Club’

Huffington Post: Jared Leto’s Oscar Win For ‘Dallas Buyers Club’ Criticized by Transgender Community

Alex Hill

Alex Hill studied at Virginia Tech majoring in English and Political Science. A native of the Washington, D.C. area, she blames her incessant need to debate and write about politics on her proximity to the nation’s capital.

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