Nashville – Law Street https://legacy.lawstreetmedia.com Law and Policy for Our Generation Wed, 13 Nov 2019 21:46:22 +0000 en-US hourly 1 https://wordpress.org/?v=4.9.8 100397344 Why Tennessee’s Road Block Bill Wouldn’t Actually Keep People Safe https://legacy.lawstreetmedia.com/blogs/law/tennessees-road-block-bill/ https://legacy.lawstreetmedia.com/blogs/law/tennessees-road-block-bill/#respond Mon, 13 Feb 2017 19:15:55 +0000 https://lawstreetmedia.com/?p=58877

If you're protesting in the street in Tennessee, watch out for drivers.

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"Image" Courtesy of Fibonacci Blue: License (CC BY 2.0)

From the Nashville sit-ins in the 1960s to the Memphis sanitation workers’ strikes, Tennessee has a rich history of practicing civil disobedience in the form of nonviolent protests. And recently, Tennessee has seen a resurgence of nonviolent protests. On Inauguration Day, a group of Tennesseans chained themselves to the state capitolAbout 15,000 people marched in downtown Nashville on the day of the Women’s March. And, this past July, hundreds of Black Lives Matters protesters spilled onto the interstate, stopping traffic. But in response to this civic action, a Tennessee lawmaker introduced a road block bill that grants drivers who “[exercise] due care” immunity from civil liability if they injure a protester or demonstrator who is blocking traffic.

According to Tennessee’s WTVC News Channel 9, state Senator Bill Ketron, who introduced the bill, said in a statement, “we believe that citizens have the right to protest. There is a procedure for peaceful protests and the purpose of that process is to protect the safety of our citizens. Protesters have no right to be in the middle of the road or our highways for their own safety and the safety of the traveling public.”

There are two distinctions in the bill that should be noted. The first is that if a person takes purposeful or willful action to injure a protester, they will not be granted immunity from civil liability. The second distinction is that the law does not grant immunity from criminal prosecution.

Tennessee lawmakers said that this bill was introduced to protect both drivers and protesters. As the Epoch Times points out, states like North Dakota have introduced similar legislation. If Tennessee’s bill passes, it will go into effect this summer.

At first glance, these kinds of bills aren’t erroneously offensive. But at the heart of these bills, there is a fundamental misunderstanding of the core principles of civil disobedience.

Protesters and demonstrators do not simply block roads for the sake of inconveniencing people who are just trying to have a normal commute. Blocking traffic is a visceral statement that reminds people that some lives are inherently inconvenient–that some lives come with inherent roadblocks simply based on trivialities like the color of someone’s skin or who a person loves. Blocking traffic impedes the inexplicit conveniences that privilege bestows.

We can look at Tennessee’s road-block bill uncynically. We can hold the belief that the bill was introduced with the best of intentions–with the belief that these lawmakers truly want to look after the safety of the public. But we can also maintain the perspective that the bill ignores the principles of non-violent protests and continues to allow people to abrogate their responsibility to help society progress toward moral justice in service of letting them go on with their lives as if everything is as it should be, and nothing is wrong.

Austin Elias-De Jesus
Austin is an editorial intern at Law Street Media. He is a junior at The George Washington University majoring in Political Communication. You can usually find him reading somewhere. If you can’t find him reading, he’s probably taking a walk. Contact Austin at Staff@Lawstreetmedia.com.

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Taylor Swift Excused From Nashville Jury Duty Due to Pending ‘Grope’ Case https://legacy.lawstreetmedia.com/blogs/entertainment-blog/taylor-swift-excused-nashville-jury-duty-due-pending-grope-case/ https://legacy.lawstreetmedia.com/blogs/entertainment-blog/taylor-swift-excused-nashville-jury-duty-due-pending-grope-case/#respond Tue, 30 Aug 2016 19:58:04 +0000 http://lawstreetmedia.com/?p=55185

Even mega stars get called for jury duty.

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Image Courtesy of [GabboT via Flickr]

Taylor Swift’s reason for missing MTV’s Video Music Awards Sunday wasn’t because she was snubbed or because she was avoiding Kim and Kanye. Actually, Swift had a pretty civic excuse–she was called in for jury duty.

The pop superstar appeared in a Nashville, Tennessee court room Monday after being selected as a potential juror in an aggravated rape and kidnapping case. However, she was quickly dismissed by the judge due to a different pending sexual assault lawsuit.

Davidson County District Attorney General’s Office spokesman Ken Whitehouse explained, “She asked to be left off out of concern for an upcoming trial in Denver where she was–she used the term ‘groped’–by a fan at a meet-and-greet.”

The “fan” refers to Colorado DJ David Mueller, who filed a lawsuit first against Swift, alleging that he was wrongfully terminated from his job at 98.5 KYGO over false allegations that he grabbed Swift’s butt while taking a photo.

Swift’s lawyers countersued, claiming, “Mueller did not merely brush his hand against Ms. Swift while posing for the photograph. He lifted her skirt and groped her.”

Because of this pending legal matter, Swift successfully argued that she couldn’t be impartial in the rape case. According to Whitehouse, Swift told the judge she would be more than willing to serve on a jury in any other type of case.

Before leaving the courtroom, Swift was nice enough to pose for pictures with fans, even filming a video message for one fan’s loved ones.

Even though Swift was absent from Sunday’s award show, she definitely wasn’t forgotten. Kanye West name dropped Swift during his speech, which came before he premiered his new Flashdance-esque “Fade” music video.  West once again reiterated that he gave Taylor a courtesy call about his song “Famous,” alluding to their most current feud.

Alexis Evans
Alexis Evans is an Assistant Editor at Law Street and a Buckeye State native. She has a Bachelor’s Degree in Journalism and a minor in Business from Ohio University. Contact Alexis at aevans@LawStreetMedia.com.

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Brad Paisley is a Rebel With Some Moonshine in His Trunk https://legacy.lawstreetmedia.com/blogs/ip-copyright/brad-paisley-rebel-moonshine-trunk/ https://legacy.lawstreetmedia.com/blogs/ip-copyright/brad-paisley-rebel-moonshine-trunk/#comments Wed, 03 Sep 2014 16:28:40 +0000 http://lawstreetmedia.wpengine.com/?p=23731

Every country music fan knows Brad Paisley to be the funny guy.

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Image Courtesy of [Lunchbox LP via Flickr]

Every country music fan knows Brad Paisley to be the funny guy. A naked baby photograph serves as his Twitter profile picture and his tweets are often witty wise cracks at fellow country celebs (with Carrie Underwood seemingly a favorite to tease). Paisley’s work is creative and, at times, just plain comical. His song “Online” details the life of a “sci-fi fanatic, mild asthmatic,” Pizza Pit employee who still resides with his parents. You can’t help but chuckle as you sing along to that one.

Paisley’s free spirit didn’t have everyone at Sony Music laughing this month, however. Paisley employed various characters and personalities to help him leak his new album Moonshine in the Trunk. One song at a time, the artist leaked the music with help from people like Ellen DeGeneres, the web-famous Annoying Orange, and a NASA astronaut. Paisley originally announced his intentions over Twitter.

Sony Music Nashville, Paisley’s record label, then sent disconcerted emails to the artist. Paisley promptly took screenshots of those emails and posted them online. Label executives and managers warned that there was a lack of permission for leaks of this sort.

Paisley tweeted this email that he sent to the reps:

Here’s one exchange between Sony and the Grammy Award winning artist:

 

And then when the label pulled the song off the Internet, Paisley tweeted:

It seems Sony Music Nashville was a good sport about the whole thing, in the end. The label retaliated in good fun, leaking Paisley’s personal email address. Overton admits, “Working with Brad is like riding a roller coaster: you know you’re going to scream, smile and have a wild ride… and it’s generally safe.”

However, in a time when record labels are fighting back against intellectual property theft, are intentional leaks like Paisley’s a sign that a new business model is in order?

For decades, the music industry operated with one business model: it sold enormous numbers of albums. With the profits it produced, released, and promoted projects. In fact, record companies would be able to negotiate contracts with artists through their access to radio time and studios.

Today, with the Internet as the most valuable tool in the music business, production and release costs are dramatically altered. Single songs are available for purchase, independent of the entire album, and music streaming subscription services allow consumers to listen without purchasing any content at all. Illegal downloads and digital piracy thrive all over the globe and the music marketplace is unrecognizable as compared to decades ago.

Artists like Brad Paisley just get it. His audience can most likely torrent his music for free; however, he undoubtedly won brownie points with fans, allowing for heightened audience interaction and valuable hype. This kind of communication with a fan base that must be convinced to purchase music as opposed to stealing it is just plain smart.

In a video posted to his Facebook account, Paisley explains his reasons for releasing his album early. “It really came down to me wanting to present these songs to the world in the best way possible,” he explained. “It’s all about connecting dots and letting you hear this record the way I intended.”

The new album was officially released on Tuesday, August 26 by Sony Music Nashville. We already knew all the words to almost every song but that’s what makes the moonshine taste so much sweeter.

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Top 10 Law Schools for Entertainment Law: #9 Vanderbilt University Law School https://legacy.lawstreetmedia.com/schools/top-10-law-schools-entertainment-law-9-vanderbilt-university-law-school/ https://legacy.lawstreetmedia.com/schools/top-10-law-schools-entertainment-law-9-vanderbilt-university-law-school/#respond Mon, 25 Aug 2014 10:33:01 +0000 http://lawstreetmedia.wpengine.com/?p=23128

Vanderbilt University Law School is one of the top law schools for Entertainment Law in 2014. Discover why this program is #9 in the country.

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Research and analysis done by Law Street’s Law School Rankings team: Anneliese Mahoney, Brittany Alzfan, Erika Bethmann, Matt DeWilde, and Natasha Paulmeno.

Click here to read more coverage on Law Street’s Law School Specialty Rankings 2014.

Click here for information on rankings methodology.

Featured image courtesy of: [15Everett via WikiMedia]

 

Anneliese Mahoney
Anneliese Mahoney is Managing Editor at Law Street and a Connecticut transplant to Washington D.C. She has a Bachelor’s degree in International Affairs from the George Washington University, and a passion for law, politics, and social issues. Contact Anneliese at amahoney@LawStreetMedia.com.

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