Welcome to RantCrush Top 5, where we take you through today’s top five controversial stories in the world of law and policy. Who’s ranting and raving right now? Check it out below:

People are Outraged at “Stealthing”

There’s a name for a man removing a condom during sex without his partner’s consent: stealthing. The phenomenon is reportedly on the rise in the U.S., according to a new study by Alexandra Brodsky in the Columbia Journal of Gender and Law. Rape victims’ organizations say this kind of behavior needs to be classified as rape. And a lot of people are outraged that this is a “thing.”

Given that “stealthing” puts a victim at risk of pregnancy or disease, and that many people only consent to sex with a condom, this is “experienced by many as a grave violation of dignity,” the study says. And according to Sandra Paul, who is a specialist in sexual crimes, this could amount to legal rape. “There has to be some agreement that a condom is going to be used or there is going to be withdrawal. If that person then doesn’t stick to those rules then the law says you don’t have consent,” she said.

It’s both affirming and terrible to write about an under-acknowledged form of gender violence and hear a chorus of “me, too” in response

— Alexandra Brodsky (@azbrodsky) April 24, 2017

Emma Von Zeipel

Emma Von Zeipel is a staff writer at Law Street Media. She is originally from one of the islands of Stockholm, Sweden. After working for Democratic Voice of Burma in Thailand, she ended up in New York City. She has a BA in journalism from Stockholm University and is passionate about human rights, good books, horses, and European chocolate. Contact Emma at EVonZeipel@LawStreetMedia.com.

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When life hands Beyoncé lemons, she makes “Lemonade.” So how will she handle a $20 million lawsuit?

The singer is being sued by the family of a late rapper, comedian, and Youtube personality for allegedly sampling him without permission in “Formation,” a chart-topping single from her most recent album, “Lemonade.”

The song features the voice of Anthony Barré, better known by his stage name Messy Mya. Barré’s humor made him a local celebrity in New Orleans, where he lived, but he would also use his platform to discuss the short life expectancies of young black men in the city. In 2010, at 22 years old, he was shot and killed.

Recordings of his voice, pulled from a handful of his videos, can be heard at the beginning of “Formation” and in between verses. Some saw Beyoncé’s inclusion of Barré on the track as a both a tribute to New Orleans culture and commentary on the city’s violence.

But the internet sensation’s sister, Angel Barré, is seeking royalties as well as proper attribution to her brother, who is allegedly not listed in the song’s credits. Anthony Barré’s estate said they had reached out to Beyoncé before filing the suit, but she was unresponsive.

The copyright case, which was filed in Louisiana District Court, also names Sony Music and Beyoncé’s company Parkwood Entertainment as defendants. According to MTV News, the lawyers representing Barré’s estate wrote in a statement:

The Estate of Anthony Barré alleges that Beyoncé Knowles Carter, Parkwood Entertainment, LLC, Sony Music Entertainment and others produced, distributed, publicly performed, used and otherwise exploited the voice, words and performance of the late Anthony Barré, also known as Messy Mya, without authorization in the extremely popular ‘Formation’ recording. Barré was a well-known performance comedian, music artist and MC in New Orleans. He is very closely associated with the Bounce music phenomenon in New Orleans. There are more than a hundred videos documenting his performance, statements, comedic routines, etc.

According to Forbes, the popstar could potentially use the fair use doctrine, which allows certain uses of copyrighted material without permission from the owners, as a defense, because of the political statements included in “Formation.” Under the 1976 Copyright Act, reproducing work “for purposes such as criticism, comment, news reporting, teaching…scholarship, or research, is not an infringement of copyright.” This argument, however, may not hold up given how much she has profited from the song.

In September, a New York judge dismissed a separate copyright suit regarding “Lemonade,” in which a filmmaker claimed that Beyoncé had replicated scenes from one of his films in the album’s trailer and music videos.

Victoria Sheridan

Victoria is an editorial intern at Law Street. She is a senior journalism major and French minor at George Washington University. She’s also an editor at GW’s student newspaper, The Hatchet. In her free time, she is either traveling or planning her next trip abroad. Contact Victoria at VSheridan@LawStreetMedia.com.

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The American police have taken on a new level of stereotypical behavior–the kind that they have been notoriously alleged to partake in, yet vehemently refuse to admit. However, they do not have to admit it this time–their words, followed by their request for action will provide ample evidence to show that they are working hard to further discriminate against the black population. Their new adversary? Beyonce. Yes, Queen B is being targeted by a number of police unions as an individual unworthy of protection due to her blanketed and generalizing depiction of law enforcement and her advocacy for the #BlackLivesMatter social movement. Sounding ironic? It should be.

Before addressing Beyonce’s advocacy and creative interpretation, I would like to make the following observations: John Lennon worked tirelessly to develop a peaceful revolution through song, performance, and lyric. Paul McCartney continued that very public and non-discreet political picture. U2 and Bono have been devoted, active, and outspoken pioneers for Africa in the fight against HIV-AIDS and promoting education, often times criticizing the lavish lifestyles of the rich and famous and taking a stark political stance. Bruce Springsteen has had a longstanding devotion to his outspoken political views, dedicating songs to his beliefs and publicly providing support for various political candidates. And who could forget the Dixie Chicks’ controversial stance against the War in Iraq?

These megastars represent a short list of artists and performers who have taken a political stance, used performance and creativity to depict political ideologies, or issued a statement based on a personal view or belief. However, none of those artists have suffered the same level of scrutiny and extreme backlash like the Queen B.

On Saturday, February 6, the diva released a video for her first new song since 2014, entitled “Formation.” The video instigated rapid fire responses about Beyonce’s exploitation of a marginalized and traumatized black New Orleans’ community, particularly post Hurricane Katrina, her open representation of southern blackness, more specifically that of a southern black woman, and resistance practices exercised by black individuals and communities.

The next day, she followed up the release of her video with a live Halftime Show performance of the song during Super Bowl 50.

Beyonce’s 2-day delivery was calculated and intense. Her message was important–that formation and organization are necessary to combat racial-based violence and embark on a path of social movement. Yet, her delivery was controversial–utilizing the black tragedy within New Orleans and exploiting the voiceless and marginalized community as her backdrop without ever giving the appropriate credit to those, like Messy Mya–a “household NOLA name” who was shot and killed at the age of 22, that provided Beyonce with the tools to tell a story that she portrayed as her own and solely for the “paper” that she sings so freely about. Whether one agrees with Queen B’s message or her in-your-face delivery, it is quite blatantly open for discussion and debate.

However, what is not readily open for discussion is the number of various police unions that are calling for an outright boycott of law enforcement for Beyonce’s upcoming world tour. While the police state that they would respond should Beyonce need help at any time, they are calling for a boycott that “would involve officers refusing to work paid off-duty security for the event, not refusing to perform regular law enforcement duties.” So why are privately-hired individuals who have the right to turn down a job boycotting under the entity of a police union that is, by law, required to defend and serve? Do they not realize that by boycotting the performance they are also refusing to protect all of the thousands of individuals in attendance? Is this a public entity’s agenda presented within the vehicle of a private sector approach? Is a police union an appropriate outlet for boycott under the circumstances? And more so, what kind of message are the police sending?

Arguably, one could inquire about Beyonce’s message and what she is trying to convey to the American people. Like Rudy Giuliani, we could be critical of her approach and view it as a vicious and very public attack on law enforcement. However, that would be blatantly ignoring the fact that Beyonce is an entertainer protected by the ideologies and legal complexities of free speech who does not possess any kind of duty to the public. She is free to say, create, depict, and perform as she pleases so long as she stays within the confines of legality–which she did.

The police, however, live by a different standard than the pop star. Furthermore, as private individuals hired for a private event to serve as security detail, they can absolutely boycott and not take the job. But is it fair to accuse Beyonce of being a cop-hater and spreading anti-police rhetoric? Does advocacy of the #BlackLivesMatter movement automatically associate one with an anti-law enforcement campaign? Are the two mutually exclusive or can we support the #BlackLivesMatter movement while also appreciating the danger and difficulty with which officers do their jobs?

The Miami Fraternal Order of the Police, the Sergeants Benevolent Association in New York City, as well as the Tamp and Nashville police unions seem to find the two mutually exclusive and have urged their respective associations and organizations to boycott the tour. Other police organizations, such as the Raleigh police, are choosing not to boycott the concert held by Beyonce in their respective state.

Like Giuliani stated, we have “to respect the uniform, not to make it appear as if they are the enemy.” Well, I think that applies to all people, not just “the uniform.” Even celebrities have a right to speak out against issues such as police brutality, regardless of whether we agree or disagree with the delivery of their messages.

Ajla Glavasevic

Ajla Glavasevic is a first-generation Bosnian full of spunk, sass, and humor. She graduated from SUNY Buffalo with a Bachelor of Science in Finance and received her J.D. from the University of Cincinnati College of Law. Ajla is currently a licensed attorney in Pennsylvania and when she isn’t lawyering and writing, the former Team USA Women’s Bobsled athlete (2014-2015 National Team) likes to stay active and travel. Contact Ajla at Staff@LawStreetMedia.com.

The post Police Officers Boycotting Beyonce: Isn’t this a Little Ironic? appeared first on Law Street.

Happy Monday, everyone! While you catch up on your Monday workload, check out the best stories from last week below:

1. Beyoncé’s Super Bowl Performance Causes Political Backlash

Until now, I didn’t think it was possible for anyone to dislike Beyoncé. Yet somehow the internet proved me wrong this week when someone created the hashtag#BoycottBeyonce to bash Bey for performing her pro-black anthem “Formation” during Sunday’s Super Bowl halftime show. Check out Alexis’s full take here.

2. Carly Fiorina Earned Money from Company that Uses Aborted Fetal Stem Cells

Republican presidential candidate and outspoken opponent of abortion, Carly Fiorina, reportedly benefitted financially while on the board for a company producing vaccines using fetal stem cells taken from aborted fetuses, according to corporate documents obtained by Al Jazeera America. Read the full article here.

3. Should States Lower the Tampon Tax?

This week the debate over the tampon tax has made its way to my favorite state–that’s right folks, we’re back to talking about Utah again! The discussion about the feminine tax has recently come into the national spotlight as several states (including Maryland, Massachusetts, Pennsylvania, Minnesota, and New Jersey) have gotten rid of taxes on feminine hygiene products altogether. This is a step in the right direction as far as stopping taxes on necessary items goes. Check it out here.

Anneliese Mahoney

Anneliese Mahoney is Managing Editor at Law Street and a Connecticut transplant to Washington D.C. She has a Bachelor’s degree in International Affairs from the George Washington University, and a passion for law, politics, and social issues. Contact Anneliese at amahoney@LawStreetMedia.com.

The post ICYMI: Best of the Week appeared first on Law Street.

Until now, I didn’t think it was possible for anyone to dislike Beyoncé. Yet somehow the internet proved me wrong this week when someone created the hashtag #BoycottBeyonce to bash Bey for performing her pro-black anthem “Formation” during Sunday’s Super Bowl halftime show.

In order to explain this bizarre and apocalyptic turn of events, lets start at the beginning.

On Saturday, in true Queen Bee fashion, Beyoncé quietly released her newest single “Formation” and its accompanying music video without any warning, and she literally broke the internet (during Black History Month no less.) In the song’s music video Beyoncé is unapologetically black, celebrating her culture and daughter’s natural hair, while also reminding us of Hurricane Katrina, #BlackLivesMatter, and black people’s growing distrust for police.

Then on Sunday, Beyoncé performed the new song live for millions of fans in a Black Panther themed Super Bowl halftime performance, before announcing an upcoming “Formation” world tour.

Watch Beyoncé’s Halftime Performance Below.

The performance left little room for misinterpretation, which angered some who apparently had hoped for “less political” musical entertainment. People (primarily haters) began using the hashtag #BoycottBeyonce to voice their disapproval for the “less than wholesome entertainment” and Former New York Mayor Rudy Giuliani attacked her performance saying, 

This is football, not Hollywood, and I thought it was really outrageous that she used it as a platform to attack police officers who are the people who protect her and protect us and keep us alive

The Bee Hive was quick to come to their queen’s defense, calling out critics on social media.

#BoycottBeyonce = I wish black people would just entertain me instead of standing up for #BlackLivesMatter + being proud of their culture. — jen miller (@jenerallyspeaks) February 9, 2016

Beyoncé tried to break racial barriers and speak out about crime on her culture. And instead you come up with #BoycottBeyoncé

— KOOL KID (@OshaneBlackwin) February 9, 2016

When she sang about Single Ladies, you were all hailing her as a queen, but now that she’s singing about being black it’s #BoycottBeyonce?

— no one (@Fenetta) February 9, 2016

But was Beyonce really wrong for using the Super Bowl platform to spread her message? Tell us what you think and cast your vote below!

Alexis Evans

Alexis Evans is an Assistant Editor at Law Street and a Buckeye State native. She has a Bachelor’s Degree in Journalism and a minor in Business from Ohio University. Contact Alexis at aevans@LawStreetMedia.com.

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